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Every decade or so, dawns a new era in the game industry. From "Rock and Roll" Hulk Hogan driven was the kingdom of Stone Cold Steve Austin, the wrestling business in a squared circle constantly reinvent itself. In WWE '12, THQ effectively hit the reset button on the main sports entertainment franchise, trying to introduce a new era for the simulation series. These changes operate. WWE '12, not just yet achieved bottle the essence of the base and the style of the industry struggle, do it in a way that does not sacrifice the game design and balance. In each case, the failure of the game consists of features that are played ironically creative struggles of WWE

Previous games of wrestling, as their raw materials seemed to focus on the presentation and flash and no substance. The Smackdown vs Raw series does not sit well with me from the mechanical standpoint. While all drives, tickets and fighters were technically not play with toys was a work in relation to the pace and addictive game offered by WWF No Mercy a decade ago. There was no tension, there is drama, it is not fun. The experience was more like batting around the figures to recreate something that felt like exciting product I have repeatedly linked for more than a decade. Wrestling is not any movement or time. This is a story, one that is woven in a ring over 20 minutes, escalating in intensity until you reveal a winner. If a game can not find a way to bring that theatricality players who may not be.
WWE '12 is that stimulation. The changes start with the controls, allowing players to fight and chain on light moves and perform more powerful attacks and weaken their opponents. The most powerful system for presentations and pins escalate tension, creating narrow windows of opportunity to escape while fighting visually indicated on screen. Animated transitions between attack and defense is more fluid, eliminating many of the discordant, awkward moments previous games offered repeatedly. Fighters occasionally return to a little dizzy very easily, and animation and collision detection for objects such as ladders and chairs feel a bit far, but the impact of these inconsistencies are minimal.

Game designers have clearly spent a lot of time to ensure that the parties have a natural development that integrates discreetly all previous ideas into something that simply feels good. It tells the story of the struggle seamlessly, without ever losing yourself in the process. Surprisingly, WWE '12 programmers seem to have a better understanding of the authors who create television wrestling product. As revered as WWE No Mercy is that the game never to tell a story physically in the ring as this game can.
A wrestling history is only as good as the fighters involved, and WWE '12 offers an impressive list. The game includes over 60 superstars, offering a healthy mix of past and present icons. Rock with contractor to Bryan Danielson, the breadth of talent is impressive, and this is to say nothing of the DLC, which will eventually add legends like Mick Foley.