The first was a regular Deadly Dozen shooter World War II on the economic value, despite some problems, it was surprisingly good. Almost exactly one year after its launch, the developer has released piece Nfusion, Deadly Dozen: Pacific Theatre. As the title suggests, the sequel moves the setting from North Africa and Western Europe in the jungles and cities of the Pacific campaign. It also improves on the original in every way - now, it is better to look, which includes an element with many players, facing many of the most serious problems of the Dead dozen. It has some notable problems, but Pacific Theatre stands on its own merits as a unique and fun shooter with a jungle setting expertly implemented. Although they share similar themes, planning Pacific Theater is almost a complete reversal of the design of the recently released Medal of Honor
Allied Assault: Spearheading. While spearheaded presented with what amounts to a scenario highly interactive Amusement Park, Pacific Theater puts you in a number of large environments, giving a series of targets, and then goes for everything others depend on you. You can choose your team and your computer, the order in which to address the objectives of the mission, and what paths taken through the level. Before each of the 12 major expeditions, a team of up to four soldiers out of a list of a dozen selected. Everyone has 11 features over seven Deadly Dozen. But like in the first game, if you are doing some acrobatics naturally through mission - the completion armed only with a knife - skills as a sniper and penetration rule the battlefield. Some of the new weapons such as samurai sword and a flamethrower good looks are nice additions, but is relatively useless. This is due to the Pacific Theater greatly, even more than the original Mortal dozen is a game for crawling around and kill enemies from a distance. Fortunately, the environment
and the enemy AI makes the game very satisfying style. Jungle environments Pacific theater are the characteristics of most. The levels are huge - most seem to cover maybe two or three square miles of land. Diversity, density and constant swaying trees and greenery create a jungle atmosphere that is completely reliable. The curtain of fog affected Deadly Dozen has been delayed a bit, but still around. As in the original, you will not get any views of the surroundings. However, the nebula appears to be more appropriate in the thick tropical foliage Pacific Theater as it did in bright sunlight levels of the deadly dozen desert. A superhuman difference IA dozen mortal enemy of the enemy AI in the Pacific theater is no longer unerringly accurate, and can not be seen, while still wrapped in mist. As a result, the fog is not a gambling problem anymore. And therefore, fellow controlled by your computer equipment is really an active rather than passive often were in the original. Instead of waiting until one of their team colleagues shot in the head from afar to take any action in the Pacific theater, his teammates often identify enemies and fire on them first. But in general, his teammate AI is the area in which Pacific Theater least improved. You can even give your squads basic commands like «hold position" and "fire waiting" "forward", but as in the first game, pathfinding skills are not particularly sophisticated. Sometimes teammates will easily navigate through a thick tangle of logs and rocks. Other times, they are trapped behind a single sitting by himself in the middle of an open portion of the
flat ground stone. their behavior is quite unpredictable, which makes the problem more annoying. since you can still actively monitor all members of your team and guide the hand, where you want to go, is not as great as it could be a problem, but it is still something that the developer needs to address if you plan to develop a Deadly Dozen 3. Pacific missions ranging from blowing up the bridge at Guadalcanal and penetrating a Japanese air base to destroy the tanks in the streets of Manila busy. A mission continues to take place in the Aleutian Islands of snow, an environment dominated by other games of World War theme. Most levels have driven or both, as recognition vehicles, transport trucks, as well as fully functional tanks, although it will spend most of their time standing vehicle. Unlike some games that have featured similar configurations forest and rendered Film Pacific environments provide truly reliable coverage for both you and your opponents, giving each task a tangible element of paranoia. The game does not leave the relative safety of which is in the belly of the weeds to run through an open field an exciting game legally. While orchestral soundtrack of the game is excellent, you may want to disable it for the simple reason that sometimes gets in the game. An issue of "anguish" plays when enemies are nearby and stops when it went well or dead. This can work great for games that are less interactive, or shooters that involve less use of camouflage, but undermines many of the
intensity of the game working hard to build. Currently, the best (and most stable) Dead dozens of multiplayer is the ability to play through the levels a collaborative player. With two or three players, the cooperative mode works pretty well. But as more players join a game server stability seems to have a serious dive. This causes other multiplayer modes Pacific Theater (including deathmatch, capture the flag, and an interesting version of the single-level player in a team receives the Japanese side, in an attempt to keep the US team for completing target Dispatch ) largely exerts disconnected every two minutes. A patch is evident in the works,
but if you plan to buy Pacific Theater only for online deathmatch, you may want to hold off for a while. There is a lot to like Pacific Theater, not the least of which is the affordability. It's a little rough around the edges, but it is exciting and technically impressive enough to hold its own against the competition full price.
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